Twelve Great Books for Reading Men


(Suggested by David Carr at the meeting of the Nassau and Suffolk County Library Associations, Woodbury, New York, on May 7, 2002.)
Okay, twelve, this should be easy. Here they are, in alphabetical order:
    1. Russell Banks: Affliction
    2. Charles Baxter: The Feast of Love
    3. Michael Chabon: The Amazing Adventures of Kavalier and Clay
    4. Andre Dubus: Dancing After Hours
    5. Sebastian Faulks: Birdsong
    6. Charles Frazier: Cold Mountain
    7. Alex Haley: The Autobiography of Malcolm X
    8. James McBride: The Color of Water
    9. Cormac McCarthy: All the Pretty Horses
    10. Nasdijj: The Blood Runs Like a River Through My Dreams
    11. Richard Russo: The Risk Pool
Okay, okay, that's only eleven. Let's see … Twelve … Twelve … Hmmmmmmmmmm . . .
I won't start listing biographies, though Robert Caro on LBJ, Edmund Morris on TR, and David McCullough on JA seem to be obvious and satisfying choices.

I like Gary Wills's book about the Gettysburg speech of Lincoln. And Wills also wrote about James Madison recently, and he did a work about St. Augustine for the Penguin Lives Series (those little biographies could be a book group in itself)

…

And speaking of series volumes, there's the Modern Library Chronicles devoted to historical topics of many kinds …

No. Something else. Something fictional … Let's see, twelve, twelve …

Well, maybe a hardboiled hero, like some of Dashiell Hammett's Sam Spade or the Continental Op; or Raymond Chandler's Philip Marlowe; or Ross MacDonald's "garbage collector on the moral scene," Lew Archer; or the knightly hero of John D. MacDonald, Travis McGee; or the hardest of all the hardboiled, Jim Thompson (The Grifters, The Killer Inside Me) … But these guys sometimes sound dated, like clichιs – really cool clichιs, to be sure – but not really contemporary, these days.

And maybe it is time to consider one of their less orthodox (and slightly softboiled) contemporary heirs, whose books give us protagonists charged with solving awful crimes, but who are also given the deep and lasting problems of human relationships. These people are often truth-seeking, haunted, reflective detectives, troubled by duty and obligation. For example, consider any of the fine, addictive novels of these writers …

Lawrence Block (Matthew Scudder)
James Lee Burke (Dave Robicheaux)
Michael Connelly (Harry Bosch)
Robert Crais (Elvis Cole)
Steve Hamilton
Stephen Hunter (The Swaggers, fils et pere)
David L. Lindsey (Stuart Haydon)
T. Jefferson Parker
Ridley Pearson
George T. Pelecanos
Thomas Perry (Jane Whitfield)
John Sandford (Lucas Davenport)
Stuart Woods

Or one of the equally fine, equally addictive British police procedurals by

Colin Dexter (Inspector Morse)
John Harvey (Charlie Resnick)
Bill James (Harpur and Iles)
P. D. James (Adam Dalgliesh)
Val McDermid (An American writer!)
Ian Rankin (John Rebus)
Peter Robinson (Alan Banks)
Charles Todd (Ian Rutledge)

Which brings me to the First World War, a theme of both Charles Todd and Sebastian Faulks's Birdsong. Maybe number twelve could be a WWI novel, like …

Pat Barker: The Regeneration Trilogy
Mark Helprin: A Soldier of the Great War

Or, if war is the thing, maybe another Civil War novel, following the superbly handled historical themes of Cold Mountain? There's …

Chris Adrian: Gob's Grief
Howard Bahr: The Year of Jubilo
Russell Banks: Cloudsplitter
Frederick Busch: The Night Inspector
Shelby Foote: Shiloh
Paulette Jiles: Enemy Women
Madison Jones: Nashville 1864
MacKinlay Kantor: Andersonville
Jeffrey Lent: In the Fall
Donald McCaig: Jacob's Ladder
Thomas Mallon: Henry and Clara
Peter Quinn: Banished Children of Eve
Jeff Shaara: Gods and Generals
Michael Shaara: The Killer Angels
Marly Youmans: The Wolf Pit

Or maybe something classic should be number twelve, like Anton Chekhov's stories, which are so close to the very modern spirits of Andre Dubus, Raymond Carver, Richard Ford …

Or Joseph Conrad, whose work is nicely paired with Robert Stone's Outerbridge Reach … And then there's Hardy, and Lawrence … No, too British, too nineteenth- century …

Speaking of "great," I might list the greatest American novelist, Herman Melville (White-Jacket, Moby-Dick, Piazza Tales). Yes! -- unless I think it's William Faulkner (Absalom, Absalom or Light in August), or Mark Twain (Life on the Mississippi), or Ralph Ellison (Invisible Man), or John Steinbeck (Grapes of Wrath, In Dubious Battle), but I wouldn't want to exclude Robert Penn Warren (All the King's Men), William Styron (Sophie's Choice, The Confessions of Nat Turner), Richard Wright (Native Son), Norman Mailer (The Naked and the Dead), Philip Roth (Which one? Goodbye, Columbus? The Zuckerman Trilogy? The Counterlife? The Human Stain?), and surely the greatest of all Twentieth Century American novelists, Vladimir Nabokov (Lolita, of course) … Yes!

No! Too easy to place these great writers on the list, even though they are always worth revisiting. I need something uniquely satisfying. What about a western?

Hmmmmmmmm. A western? Or better to think of it as fiction of the American West? Something to follow the Cormac McCarthy trilogy? Okay, in alphabetical order, how about works by …

Thomas Berger: Little Big Man
Ivan Doig: English Creek, Dancing at the Rascal Fair
Loren D. Estleman: Billy Gashade, the Page Murdock series
A. B. Guthrie: The Big Sky, The Way West
Elmer Kelton: The Time it Never Rained, The Day the Cowboys Quit
Douglas C. Jones: The Search for Temperance Moon, Arrest Sitting Bull
Elmore Leonard: Hombre
Larry McMurtry: Lonesome Dove and its prequels and sequels Norman MacLean: A River Runs Through It
Frederick Manfred: Conquering Horse, Scarlet Plume
Wallace Stegner: Angle of Repose
James Welch: The Heartsong of Charging Elk

What about Rodolfo Anaya? Sherman Alexie? N. Scott Momaday? All possible. The greatest of these writers is Frederick Manfred, but he won't be my number twelve either. And a western is not what I want at the end of my list.

Another genre? Something of the future, perhaps? I might consider these …

William Gibson: Neuromancer, Idoru
Philip Kerr: A Philosophical Investigation
Richard Powers: Prisoner's Dilemma, Galatea 2.2
Mary Doria Russell: The Sparrow
Connie Willis: The Doomsday Boo
)

Could it be that this list needs a woman writer? What a concept! Well then, how about these four unsurpassed masterpieces, a match for any male reader …

Harriette Simpson Arnow: The Dollmaker
A. S. Byatt: Possession
Barbara Kingsolver: The Poisonwood Bible
Annie Proulx: The Shipping News

Or perhaps something by one of this formidable group:

Isabel Allende (House of the Spirits), Annie Dillard (The Living), Gretel Ehrlich (Heart Mountain), Sheri Holman (The Dress Lodger), Alice McDermott (That Night); Toni Morrison (The Bluest Eye), Alice Munro (The Progress of Love), Jeannette Winterson (The Powerbook) … all possible, all great, but not my number twelve.

Let's see, twelve, twelve …

Maybe I should stick with male writers? Okay, let's see …
Nicholson Baker: The Mezzanine
Wendell Berry: A Place on Earth
Larry Brown: Joe, Fay, Father and Son
Peter Carey: The True History of the Kelley Gang
Evan S. Connell: Mr. Bridge, Mrs. Bridge, Son of the Morning Star
Michael Cunningham: The Hours
Pete Hammill: Snow in August
Kent Haruf: Plainsong …

Wait a minute! I think I have it. Yes, I do! Aha! Here it is …

12. Joseph Heller: Catch-22

Hmmmmmmmmm. Maybe not. Maybe it's …
12. Kurt Vonnegut, Jr.: Slaughterhouse Five
But wait, no, maybe it's not that one, it's …
12. Ken Kesey: One Flew Over the Cuckoo's Nest
But wait, maybe it's not that one, it's … it's …
12. Umbert Eco: The Name of the Rose
No, no, that's not it … How about one of the great, great works of all time:
12. Gabriel Garcia Marquez: One Hundred Years of Solitude.
Yes? No! No? Yes! Yes? …
Or: Rule of the Bone, The Sweet Hereafter, or anything else by Russell Banks.
Or: Wonder Boys. In fact, Kavalier and Clay suggests a whole series of other works that use magic and magicians as themes. See the wonderful Fifth Business and its sequels by Robertston Davies, for example. See also his Selected Stories. See also Andre Dubus III, House of Sand and Fog.
Or the entire Border trilogy. Or: Nobody's Fool. Or anything else by Richard Russo. Another novel about John Brown is Raising Holy Hell by Bruce Olds. The title character of which is none other than Herman Melville. Set in New York. Yes, the author of Nop's Trials, maybe the best dog novel ever written. Set in New York. See also her novel Catherwood. Estleman's works about Detroit, including the Amos Walker hardboiled mysteries, are excellent as well. There are also his private eye novels of 1930s Berlin, March Violets, The Pale Criminal, and A German Requiem, all published in one volume as Berlin Noir. A footnoted novel, perhaps the most brilliant first novel to be found anywhere. Does anyone else remember his fine family saga, Sometimes a Great Notion?

Back to L.I. Library Conference Male Literature Page
Twelve Great Books for Reading Men:Chapel Hill, NC May 29, 2002 Associate Professor, School of Information and Library Science, University of North Carolina at Chapel Hill. (carr@ils.unc.edu)