Twelve Great Books for Reading Men
(Suggested by David Carr at the meeting of the Nassau and Suffolk
County Library
Associations, Woodbury, New York, on May 7, 2002.)
Okay, twelve, this should be easy. Here they are, in alphabetical
order:
1. Russell Banks: Affliction
2. Charles Baxter: The Feast of Love
3. Michael Chabon: The Amazing Adventures of Kavalier and Clay
4. Andre Dubus: Dancing After Hours
5. Sebastian Faulks: Birdsong
6. Charles Frazier: Cold Mountain
7. Alex Haley: The Autobiography of Malcolm X
8. James McBride: The Color of Water
9. Cormac McCarthy: All the Pretty Horses
10. Nasdijj: The Blood Runs Like a River Through My Dreams
11. Richard Russo: The Risk Pool
Okay, okay, that's only eleven. Let's see
Twelve
Twelve
Hmmmmmmmmmm . . .
I won't start listing biographies, though Robert Caro on LBJ, Edmund
Morris on TR,
and David McCullough on JA seem to be obvious and satisfying choices.
I like Gary Wills's book about the Gettysburg speech of Lincoln. And
Wills also
wrote about James Madison recently, and he did a work about St.
Augustine for the
Penguin Lives Series (those little biographies could be a book group in
itself)
And speaking of series volumes, there's the Modern Library Chronicles
devoted to
historical topics of many kinds
No. Something else. Something fictional
Let's see, twelve, twelve
Well, maybe a hardboiled hero, like some of Dashiell Hammett's Sam Spade
or the
Continental Op; or Raymond Chandler's Philip Marlowe; or Ross
MacDonald's
"garbage collector on the moral scene," Lew Archer; or the knightly hero
of John D.
MacDonald, Travis McGee; or the hardest of all the hardboiled, Jim
Thompson (The
Grifters, The Killer Inside Me)
But these guys sometimes sound
dated, like clichιs
really cool clichιs, to be sure but not really contemporary,
these days.
And maybe it is time to consider one of their less orthodox (and
slightly softboiled)
contemporary heirs, whose books give us protagonists charged with
solving awful
crimes, but who are also given the deep and lasting problems of human
relationships. These people are often truth-seeking, haunted,
reflective detectives,
troubled by duty and obligation. For example, consider any of the fine,
addictive
novels of these writers
Lawrence Block (Matthew Scudder)
James Lee Burke (Dave Robicheaux)
Michael Connelly (Harry Bosch)
Robert Crais (Elvis Cole)
Steve Hamilton
Stephen Hunter (The Swaggers, fils et pere)
David L. Lindsey (Stuart Haydon)
T. Jefferson Parker
Ridley Pearson
George T. Pelecanos
Thomas Perry (Jane Whitfield)
John Sandford (Lucas Davenport)
Stuart Woods
Or one of the equally fine, equally addictive British police procedurals
by
Colin Dexter (Inspector Morse)
John Harvey (Charlie Resnick)
Bill James (Harpur and Iles)
P. D. James (Adam Dalgliesh)
Val McDermid (An American writer!)
Ian Rankin (John Rebus)
Peter Robinson (Alan Banks)
Charles Todd (Ian Rutledge)
Which brings me to the First World War, a theme of both Charles Todd and
Sebastian Faulks's Birdsong. Maybe number twelve could be a WWI novel,
like
Pat Barker: The Regeneration Trilogy
Mark Helprin: A Soldier of the Great War
Or, if war is the thing, maybe another Civil War novel, following the
superbly
handled historical themes of Cold Mountain? There's
Chris Adrian: Gob's Grief
Howard Bahr: The Year of Jubilo
Russell Banks: Cloudsplitter
Frederick Busch: The Night Inspector
Shelby Foote: Shiloh
Paulette Jiles: Enemy Women
Madison Jones: Nashville 1864
MacKinlay Kantor: Andersonville
Jeffrey Lent: In the Fall
Donald McCaig: Jacob's Ladder
Thomas Mallon: Henry and Clara
Peter Quinn: Banished Children of Eve
Jeff Shaara: Gods and Generals
Michael Shaara: The Killer Angels
Marly Youmans: The Wolf Pit
Or maybe something classic should be number twelve, like Anton Chekhov's
stories,
which are so close to the very modern spirits of Andre Dubus, Raymond
Carver,
Richard Ford
Or Joseph Conrad, whose work is nicely paired with Robert Stone's Outerbridge
Reach
And then there's Hardy, and Lawrence
No, too British, too
nineteenth-
century
Speaking of "great," I might list the greatest American novelist, Herman
Melville
(White-Jacket, Moby-Dick, Piazza Tales). Yes! -- unless I think it's
William Faulkner
(Absalom, Absalom or Light in August), or Mark Twain (Life on the
Mississippi), or
Ralph Ellison (Invisible Man), or John Steinbeck (Grapes of Wrath, In
Dubious
Battle), but I wouldn't want to exclude Robert Penn Warren (All the
King's Men),
William Styron (Sophie's Choice, The Confessions of Nat Turner), Richard
Wright
(Native Son), Norman Mailer (The Naked and the Dead), Philip Roth (Which
one?
Goodbye, Columbus? The Zuckerman Trilogy? The Counterlife? The Human
Stain?), and surely the greatest of all Twentieth Century American
novelists, Vladimir
Nabokov (Lolita, of course)
Yes!
No! Too easy to place these great writers on the list, even though they
are always
worth revisiting. I need something uniquely satisfying. What about a
western?
Hmmmmmmmm. A western? Or better to think of it as fiction of the
American
West? Something to follow the Cormac McCarthy trilogy? Okay, in
alphabetical
order, how about works by
Thomas Berger: Little Big Man
Ivan Doig: English Creek, Dancing at the Rascal Fair
Loren D. Estleman: Billy Gashade, the Page Murdock series
A. B. Guthrie: The Big Sky, The Way West
Elmer Kelton: The Time it Never Rained, The Day the Cowboys Quit
Douglas C. Jones: The Search for Temperance Moon, Arrest Sitting Bull
Elmore Leonard: Hombre
Larry McMurtry: Lonesome Dove and its prequels and sequels
Norman MacLean: A River Runs Through It
Frederick Manfred: Conquering Horse, Scarlet Plume
Wallace Stegner: Angle of Repose
James Welch: The Heartsong of Charging Elk
What about Rodolfo Anaya? Sherman Alexie? N. Scott Momaday? All
possible.
The greatest of these writers is Frederick Manfred, but he won't be my
number
twelve either. And a western is not what I want at the end of my list.
Another
genre? Something of the future, perhaps? I might consider these
William Gibson: Neuromancer, Idoru
Philip Kerr: A Philosophical Investigation
Richard Powers: Prisoner's Dilemma, Galatea 2.2
Mary Doria Russell: The Sparrow
Connie Willis: The Doomsday Boo
)
Could it be that this list needs a woman writer? What a concept! Well
then, how
about these four unsurpassed masterpieces, a match for any male reader
Harriette Simpson Arnow: The Dollmaker
A. S. Byatt: Possession
Barbara Kingsolver: The Poisonwood Bible
Annie Proulx: The Shipping News
Or perhaps something by one of this formidable group:
Isabel Allende
(House of
the Spirits), Annie Dillard (The Living), Gretel Ehrlich (Heart
Mountain), Sheri Holman
(The Dress Lodger), Alice McDermott (That Night); Toni Morrison (The
Bluest Eye),
Alice Munro (The Progress of Love), Jeannette Winterson (The Powerbook)
all
possible, all great, but not my number twelve.
Let's see, twelve, twelve
Maybe I should stick with male writers? Okay, let's see
Nicholson Baker: The Mezzanine
Wendell Berry: A Place on Earth
Larry Brown: Joe, Fay, Father and Son
Peter Carey: The True History of the Kelley Gang
Evan S. Connell: Mr. Bridge, Mrs. Bridge, Son of the Morning Star
Michael Cunningham: The Hours
Pete Hammill: Snow in August
Kent Haruf: Plainsong
Wait a minute! I think I have it. Yes, I do! Aha! Here it is
12. Joseph Heller: Catch-22
Hmmmmmmmmm. Maybe not. Maybe it's
12. Kurt Vonnegut, Jr.: Slaughterhouse Five
But wait, no, maybe it's not that one, it's
12. Ken Kesey: One Flew Over the Cuckoo's Nest
But wait, maybe it's not that one, it's
it's
12. Umbert Eco: The Name of the Rose
No, no, that's not it
How about one of the great, great works of
all time:
12. Gabriel Garcia Marquez: One Hundred Years of Solitude.
Yes? No! No? Yes! Yes?
Or: Rule of the Bone, The Sweet Hereafter, or anything else by
Russell Banks.
Or: Wonder Boys. In fact, Kavalier and Clay suggests a whole series
of other
works that use magic and magicians as themes. See the wonderful Fifth
Business and
its sequels by Robertston Davies, for example.
See also his Selected Stories. See also Andre Dubus III, House of
Sand and Fog.
Or the entire Border trilogy.
Or: Nobody's Fool. Or anything else by Richard Russo.
Another novel about John Brown is Raising Holy Hell by Bruce Olds.
The title character of which is none other than Herman Melville. Set
in New York.
Yes, the author of Nop's Trials, maybe the best dog novel ever
written.
Set in New York.
See also her novel Catherwood.
Estleman's works about Detroit, including the Amos Walker hardboiled
mysteries,
are excellent as well.
There are also his private eye novels of 1930s Berlin, March Violets,
The Pale
Criminal, and A German Requiem, all published in one volume as Berlin
Noir.
A footnoted novel, perhaps the most brilliant first novel to be found
anywhere.
Does anyone else remember his fine family saga, Sometimes a Great
Notion?
Back to L.I. Library Conference Male Literature Page
Twelve Great Books for Reading Men:Chapel Hill, NC
May 29, 2002
Associate Professor, School of Information and Library Science,
University of
North Carolina at Chapel Hill. (carr@ils.unc.edu)